Mineral Breath, Metal Mouth. 2016
Stipendiatprosjekt: WHY MATTER MATTERS: Questions of Materiality in the Physical World (2015-)
“Why matter matters…” will reflect upon matter through the new materialisms as presented in recent feminist science studies. Over the past years my art practice has moved between sculptures, textile works and painting, often brought together in large-scale installations – in an ongoing artistic investigation of materiality. I have explored the nature of matter, the science of materials and the processes of decay and change within organic matter through different angles and methods. “Why matter matters…” will extend this research and see it in the light of the new materialisms of feminist science studies. The project intends to generate new insights in between the field of visual arts and the natural sciences, and to contribute to more complex understandings of matter and our physical world.
Today a number of thinkers in philosophy, science and culture studies are looking at the materiality of the world with renewed Spinozian interest; as if a shift is taking place from constructivism towards realism. From the viewpoint of the new materialisms, matter has been given a less than satisfactory theoretical and rhetorical treatment the last centuries. Matter has been subdivided into manageable “bits” or flattened into a “blank slate” for human inscription. The new materialisms ensure that matter is accorded an active role. Within this realist framework, feminist science studies thinkers such as Karen Barad, Donna Haraway and Stacy Alaimo have developed new theories. What makes the feminist materialisms distinct from other theories in the field is the refusal to see the subject world divided into hierarchies and categories, the importance of maintaining a “we”, and the awareness of the constant transformations and interactions of matter. Feminist new materialism is currently reworking understandings of space, time, matter, causality, and objectivity.
The artistic research will occur through three one-year projects successively building upon each other. The first year’s project, “Matter”, builds upon my recent material practice and will reflect upon matter in its structural build, categorization and material nature through artistic media such as sculpture, textile work and painting. The second project, “Cooperation”, will examine intra-actions between humans and the environment, and investigate binaries such as human/nature, and human/animal. This examination will occur through immaterial practices such performance, sound work and written poetry and public readings. The last year’s project, “Quantum Entanglement”, will bring the two previous projects together and include both material and immaterial practices. Thematically, this project brings the previous projects together through a focus on intra-actions and relationships of matter on a subatomic level.
The chosen method for the artistic research draws its inspiration from the concept of diffraction. In the book Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning (2007), Karen Barad discusses the method of diffractively reading insights through one another in order to build new insights in a non-hierarchical manner. My aim is to read and research the new material theories of feminist science studies, scientific research and art through each other, to produce new patterns of thinking and being within my artistic practice.
Arbeider som arkiveres/publiseres i KHIODA reguleres av Lov om opphavsrett til åndsverk. Opphavsmannen beholder opphavsretten til materialet i KHIODA, men gir brukerne tillatelse til å sitere fra verket, samt videreformidle det til andre, i henhold til åndsverkslovens regler. En forutsetning er at navn på utgiver og opphavsmann angis. Kommersiell bruk av verket er ikke tillatt uten etter skriftlig avtale med opphavsmannen.
(Artistic production, 2017)Two performances titled “The Bodily Life” during The 9th Norwegian Sculpture Biennial/ Norsk Skulpturbiennale 2017 (curated by Steffen Håndlykken).The performances took place June 18th and August 20th 2017 at the Vigeland ...
(Artistic production, 2017)Deltakelse på gruppeutstillingen UUMMANNARSUAQ med skulpturene "Red Tide" og "Bedrock Imagery". Øvrige kunstnere: Tora Dalseng, Anthea Hamilton, Deanna Havas & Shane Munro, Bedwyr Williams. Sted: 1857, Oslo. Tidspunkt: ...
(Artistic production, 2017)Solo exhibition at Elizabeth Dee Gallery, New York, US, February 28 - April 22 2017. A collaboration between Elizabeth Dee Gallery, the Norwegian exhibition space Entrée and Independent. In "Mattering Waves" Ane Graff ...
(Artistic production, 2017)Skulptur. Del av utstillingen "Myths of the Marble". Vist på Henie Onstad kunstsenter 03. februar - 02. april 2017 og på Institute of Contemporary Art at the University of Pennsylvania (ICA) 28. april - 06. august 2017.
(Image; Artistic production, 2016)Verket Mineral Breath, Metal Mouth ble vist på 11th Gwangju Biennale. The Eight Climate (What Does Art Do?) 02. september - 02. november 2016.
(Image; Artistic production, 2016)Verket "Electron Sea" har blant annet blitt vist på Independent Brussels art fair 2016 og på galleriet 1857 i Oslo 19.- 25. august 2016.